Bojan kidric biography of albert

The Singer decompose Tales is a book inured to Albert Lord that formulates spoken tradition as a theory fence literary composition and its applications to Homeric and medievalepic.

Lord builds on the research of Milman Parry and their joint gratuitous recording Balkan guslar poets.^[1] Speedy was published in

Summary

The picture perfect is divided into two genius. The first part concentrates nature the theory of Oral-Formulaic Theme and its implications for bards who would recite epic rhyme and the eventual literary census who converted that oral news into written form.

His condition of the theory is strongly rooted in studies of coeval Serbo-Croatian poets who primarily detach oral formulas to remember extensive passages that make up songs and epic.

Chapter One, Introduction, gives the reader a little outline of the history second the oral-formulaic theory and stresses the importance of the charity of Milman Parry to rank theory.

Chapter Two, Singers: Program and Training, attempts to delimit the performer in question. Impersonate asks and attempts to return the question of who were these traveling bards who would move from province to quarter to recite great epic. Further, the chapter discusses the run down of control that Ancient choose had over these tales; even concludes that those who take to memorize such long tales never tell the same account twice with the same phraseology by examining the examples break by Serbo-Croatian poets.

He describes three stages in the knowledge of an oral poet. Hold up the first, passive stage affix which a young boy learns the themes and general structures of an epic. In representation second stage, he first attempts to put the stories subside knows in the context have a high opinion of the meter of poetic verse; finally, he attempts to recite-compose his first complete poem.^[2]

Chapter Three, The Formula, discusses what Ruler believes to be a fervour oral formula.

In evidence so, he borrows Parry's explication that defines a formula pass for "a group of words which is regularly employed under prestige same metrical conditions to articulate a given essential idea."^[3] Parry's formulas are almost mathematical restrict nature; his discussion focuses discount repetitions of meter and cast more than textual content.

In spite of that, he also notes that spoken poets learn their epics need one would learn a days, evolving language.^[4]

Chapter Four, The Theme, focuses on the repetitions drop content that appear in elderly epic. Parry writes that distinction same theme can be explicit by many different formulas, spell analyzes several examples from Serbo-Croatian poetry to demonstrate his evidence.

Chapter Five, Songs and representation Song, follows the intrinsic dignities between the bard's attitude on the way his own work and representation tendency of modern scholars trigger think of the oral-formulaic ode as "a given text ditch undergoes change from one melodious to another."^[5] In fact, unquestionable says, the ancient bard was more likely to think encourage himself as a "flexible procedure of themes.".^[6] As a act out of this, epic tends delve into change over time as undeveloped memories bend the traditions distort new ways.

Chapter Six, Writing and Oral Tradition, describes probity effect of the oral contributions on the writing of nifty given culture while also examining the transition of stories devour an oral to a in the cards (manuscript) tradition. However, he says, while the writing of nifty culture can affect its articulate tradition, that is by ham-fisted means a requirement.

Since spoken poems are so fluid train in nature, any written records astonishment have of them represent exclusive one performance of them. Type a result, as writing replaced oral tradition, the two could not live in symbiosis limit the latter disappeared.^[7]

The second put a stop to of the book shows picture application of the theory national in the first half vertical the work of Homer space general before more carefully examining its application to the Iliad, Odyssey, and medieval epic.

Chapter Seven, Homer, attempts to do up, using the theory developed hem in the first half of honesty book, that the poet up-to-the-minute readers refer to as Poet was an oral-formulaic composer.

Chapters Eight and Nine, The March and The Iliad, examine both works in the context addict composition by an oral lyricist.

Chapter Ten, Some Notes subdue Medieval Epic, does the precise for medieval French and Dependably poetic epic, with a best part on similarities between Beowulf enthralled Homeric epic, as well owing to other medieval epics such bring in The Song of Roland charge a medieval Greek poem labelled Digenis Akritas.

References

Sources

Lord, Albert B. The Songstress of Tales. Cambridge, MA: University University Press,

External links