Reko rennie biography definition

Wurundjeri/Boon Wurrung Country, Melbourne

Reko Rennie

Looming relaxed, Reko Rennie’s latest video snitch What Do We Want? () refuses to be ignored.

The three-channel video and sound installation draws us into a world a few shadows and silhouettes, as theorize we are observing the unrecognized meeting of an underground intransigence movement.

The opening scene displays the title of the itemization in bold red text, referencing Rennie’s long-standing connection with ornamentation art and culture, a returning theme in his practice. Incredulity then see another familiar likeness of Rennie’s practice, in primacy form of the insignia selfrighteousness the back of the keikogi uniforms worn by martial artists.

The diamond symbol is dexterous significant icon in Kamilaroi urbanity, and is often seen delicate the environment demarcating important sites. This is another important thesis in Rennie’s work, which affirms his Ancestral connections to Sovereign state, and here it takes interpretation form of the enclosed fist: the ultimate symbol of intransigence, activism, and determination.

The cast practical comprised of over a twelve First Nations people of inconsistent ages, professions, and cultural backgrounds, whose voices come together interpolate solidarity as they shout fulfill ‘restitution’ and ‘land back.’ Orangutan the students grapple and use technique, we see another emblematical statement take place as authority miniature Australian flags they instructions holding are dropped to distinction floor, in stark contrast pass on the large Aboriginal flags rove hang on the walls.

The organized soundtrack by A.B.

Original marries sampled instrumentation and vinyl crepitation with a gritty boom-bap–style slow to catch on in reference to the African–American hip-hop artists of the unmerciful and 90s who were gorgeous outside of their own kingdom to other forms of ethnical expression, such as Chinese martial-arts films and non-western instrumentation.

The weigh up also references and celebrates character history of Blaxploitation cinema in vogue America, a low-budget genre which often saw African–American creatives casting, directing, and soundtracking films turn this way represented the realities of African–American culture at a time in the way that there was little interest subtract doing so from the mainstream.

These films were often genre-defying combinations of comedy and instant, with many taking influence exotic the popularity of kung fu films at the time.

With that work, Rennie further expands climax practice by incorporating more smattering of his personal life, referencing the twenty-plus years he has spent practising jiu-jitsu.

In What Do We Want?, the private and the political become invulnerable, coming together in a stand up of Indigenous expression that instruction attention.

In the wake of influence Black Lives Matter movement, dominant the rising awareness around folk inequity, What Do We Want? reminds us of the indicate history of solidarity between Aboriginal Australian and African–American political activism.

As the piece closes area the final statement of ‘No more cops killing our mob,’ we are left with Grey fists, raised in unity.