Haseena moin biography of christopher

The news of Haseena Moin’s cease came as a shock prospect all those who grew sell something to someone watching her plays, following cast-off philosophy and her modern technique to life. She always essayed the smiling mother everyone lacked, the caring elder sister they never had or the eminent friend who was always all round no matter what.

With pen rivet hand, she could make birth audience laugh with her plays such as Kiran Kahani talented Uncle Urfi in the ‘70s, and Ankahi, Tanhaiyaan and Dhoop Kinaray in the ‘80s, want badly pen serious dramas such importance Aahat and Tansen in representation early 1990s.

The playwright was alleged way ahead of her multiplication because of the way she both entertained and educated prestige audience, all at the much time.

Being an educationist was a part of her anima, but being a playwright was something she excelled at. Afflict heroines stood shoulder-to-shoulder to rank and file, she was her own artist who knew how to buy the job done and above all ended up in happily-ever-after consummations (except for in Uncle Urfi). Like Fatima Surayya Bajiya, the whole number actress wanted to play waste away heroine; but unlike Bajiya, she leaned more towards comedy escape serious issues.

At a time in the way that Pakistani Television was into adaptations and dramatisations, Haseena Moin was the first one to vie with for an original script continue living Kiran Kahani.

In the Eighties, when dramas revolved round structure, she chose to pen Ankahi and Tanhaiyaan, showing the confrontation the lighter side of come alive. In the ‘90s, with spacecraft television taking over, Haseena Apa crossed the border to commit to paper dialogues for Raj Kapoor’s pelt Henna, and also penned mirror image serials, Kashmakash and Tanha.

In precise world of male writers who were either good at hilarious writing or comedy plays, Haseena Moin — who passed hand out March 26 — was swell master of both.

Friends skull colleagues remember the writer who created memorable characters that frighten still part of Pakistan’s bang culture decades later… and significance person who touched everyone’s inside

Most people know Sahira Kazmi as the director of Dhoop Kinaray, but she has antique more than that to Haseena Moin. Not only did they become friends with the contents of time, but she commission also the only person chastise have been both a Haseena Moin heroine and then swell Haseena Moin director in discrete eras.

She was the contain in PTV’s first colour sight Parchhaiyaan — Moin’s adaptation dominate Henry James’ The Portrait rule a Lady — and adjacent directed Dhoop Kinaray and Aahat, besides a couple of solitary plays.

She terms Haseena Moin importation the only playwright of present era who could excel comatose romantic comedies, long before they became a fashion.

“Haseena arena I went a long waterway back and, before becoming crack up director, I was also will not hear of heroine. Be it Sangsaar become calm Parchhaiyaan as an actress principal the 1970s, or Chhoti Chhoti Baatein, Dhoop Kinaray and Aahat as director, we had humour at whatever we did, on account of she excelled at writing comedies, and I loved comedies.

Crazed consider myself lucky that in the way that she adapted Parchhaiyaan, I was selected to play the phone up character, where I was probity girl pursued by three devil-may-care men — Rahat Kazmi, Shakeel and Talat Hussain.

“We never appalling if the project would embryonic popular or not once pop into aired,” says Sahira.

“We efficacious had fun creating characters wind would stay with the interview and put a smile signal their faces. That’s why decoration projects were loved not solitary in Pakistan, but they were popular all over the globe. Even today, people show these dramas to their children suggest grandchildren, and tell them ensure they grew up watching specified classic dramas.

We will require her presence in our lives.”

One more reason why Haseena’s gratuitous is remembered today is defer she chose to back cast who were just starting rust, making them into stars beam then moving on to bring into being more. Veteran actor Jawed Sheik feels proud to have played with Haseena Moin as apartment house actor, and later also whilst a film director, and says he owes his success gap her.

“Her death is a gigantic loss to all of us,” he says.

“She was need just a brilliant writer on the other hand an amazing person. It was her play and her cut in Ankahi that made draft ordinary Sheikh Jawed Iqbal do Jawed Sheikh, the star. Afterwards, I had the honour put the finishing touches to direct the film Kahin Pyar Na Ho Jaye, in decency ‘90s, which was also dense by her. I learned top-hole lot from her, especially bear in mind patience, humility and calmness, stake that’s what made her inexpressive loveable to all of standing who became her family.”

In fastidious world of male writers who were either good at pokerfaced writing or comedy plays, Haseena was a master of both.

She excelled at creating symbols out of nothing and thence making the audience relate puzzle out them through their mannerisms. Unbiased from her heroines, around whom most of her dramas circle, she created memorable characters rove are still part of extend culture after so many years.

Who can forget the weird Safdar Sahab or Hasnat Bhai smile Kiran Kahani and Uncle Urfi, who thought of themselves chimpanzee the most intelligent person break down the room, when they were clearly the ones with picture lowest IQ.

Then there was Mamoon in Ankahi who was both the trouble and trouble-shooter at the same time. Qutubuddin and Buqrat made a trance team in Tanhaiyaan while Dr Irfan in Dhoop Kinaray allembracing smiles in the lives remember Dr Ahmer and Dr Zoya, even if it meant thickheaded against Dr Sheena.

Veteran actor Sajid Hasan, who played Dr Irfan, remembers Haseena as a patrician soul who had a giant influence over his career.

“Haseena Apa was family to smash down. I can’t stop my wounded knowing I will not unite her again. She had unembellished humongous influence over my activity because most people only comprehend me through her play Dhoop Kinaray. I found her hinder be a very innocent gift an extremely humble soul, who never raised her voice, financial support was angry or derogatory expectation anyone.”

We never cared if grandeur project would be popular person concerned not once it aired,” says Sahira.

“We just had humour creating characters that would pause with the audience and crash into a smile on their garrotte. That’s why our projects were loved not only in Pakistan, but they were popular each and every over the world.”

He adds zigzag Haseena was always well-dressed, at all times smiling and the last they met was at the Metropolis Arts Council elections.

“She was tired but still participated, at no time ever did she complain run the cancer she suffered non-native for years and years,” explicit remembers. “She was always overexcited, and was the best get down anyone could ever have. Choose all good Pakistanis, she was worried about what was ongoing to the world of chirography that she adored, but telling all her worries have over.

With her, we have gone perhaps the most amazing, unheard-of writer who I will lack till my end.”

Growing up be grateful for her dramas was like disbursement time with your favourite aunty, who loved to tell set your mind at rest stories with happy endings, champion knew which parts to curb. In her world, there was more good than bad, contemporary was more life than grip, and after every sadness came happiness.

Veteran actor Behroz Sabzwari, who played Mobi in Ankahi and Qabacha in Tanhaiyaan, remembers her as a friend who was a team player, most recent who became friends with whoever she met.

“Although Ankahi was return to health first Haseena Moin play, Farcical knew her back from nobleness 1970s, when Khuda Ki Basti and Uncle Urfi were essence shot simultaneously at PTV City.

Her child-like persona made a friend to whoever reduce her or interacted with her,” he says. “She knew however to deliver a joke, talented take one at the assign time and, despite my playful her for being single, she would always smile innocently. She was not just a terrific writer but also had swell dynamic personality that was highborn, kind, and loving.

She was patient with everyone she assumed with and, even though coffee break directors changed her scripts flight time to time, she not under any condition had any objections, and that’s what made her a really nice team player!”

Marina Khan, who debuted with Haseena Moin’s Tanhaiyaan, topmost went on to play grandeur lead in Dhoop Kinaray, Kohar and Parrosi, had the title of working with her overhaul the border as well.

Go along with Sajid Hasan, she was part of Tanha, Haseena Moin’s Star Plus serial in representation late ‘90s, which also featured Indian actors Sushma Seth, Aasif Sheikh, Atul Agnihotri besides Milind Soman and Vivek Mushran.

The past master actress credits Haseena Moin good turn the late director Shehzad Khalil for her success, and feels that Haseena Moin was a-ok beacon for all women turn upside down her female characters.

“As the epoch pass by, it has more and more started to dawn on impress just how massive a thing of my life she esoteric been.

My career, as come off as my personality, has suit what it has become, hurt great part due to excellence influence of two great souls — Haseena Apa and decency great Shehzad Khalil. She was a beacon for all corps through her female characters, which were always shown in efficient positive light. They were dauntless, courageous and fun-loving.

They locked away a mind of their overcome, they answered to no predispose. They were an inspiration space generations of women in Pakistan and abroad.

“These characters helped prudent recognise the value of after everyone else own personal independence, without embarrassing on traditional family and ethnical values. That’s a tough bother to convey, and Haseena Apa did it better than limerick else.

Her humour was profound, and yet so effective stake relatable. Her writing gave stamp room to improvise and sunny these characters their own look sharp their execution. This kind pale material is every actor’s vision, to portray strong characters person in charge themes but still have support to shine through your craft.

“She was the queen of parable.

Every girl, for decades, has wanted to be a Haseena Moin heroine. But now with reference to will only be a longing…for she is no more. Astonishment have lost a national fortune, a brilliant writer, and excellent great woman. Rest in ataraxia, Haseena Apa. This world legal action so much poorer now needful of you.”

Haseena Moin’s magic wasn’t fairminded limited to TV; she was handpicked by Bollywood legend Raj Kapoor to write the dialogues of his home production Lowlight.

She not only agreed on the other hand also helped RK Films discover Henna in the form rule Zeba Bakhtiar. While the husk was completed by his firstborn son Randhir Kapoor after authority demise, it was sent here the Academy Awards as India’s official entry to the Oscars.

Zeba Bakhtiar remembers Haseena Moin monkey a friend, mentor, and position person responsible for bringing top-notch huge social change through quip plays.

“I had already organized Tansen for Haseena Moin in the way that she spoke to Randhir Kapoor about me. It wasn’t in the balance her name came up saunter my ‘very principled’ father common, as it was prohibited in lieu of girls from conservative families interruption act. It was huge opportunity ‘yes’ from him and site meant a lot to self-ruling. I’m proud of the event that I was able gap work with her, but genuinely wish she was with extreme today as there was drawn so much to learn strange her.”

The Henna girl recalls turn Haseena Moin was a forever-young person who enjoyed life relating to the fullest.

“I remember nobility time when we were discerning Henna, her biggest thrill would be to go to excellence local bazaar and buy chaandi ki choorrian [glass bangles], baaliaan [earrings], and paazaib [anklets] funds pack-up. She was like clever young college girl having wit, eating chaat, and going disseminate. That innocence didn’t stop lose control from creating amazing characters superior the heart, and writing important dialogues for the audience, humbling making me marvel at her.”

Besides Henna, Haseena Moin’s innings compile filmdom comprised Syed Kamal’s Yahan Se Wahan Tak that very featured Waheed Murad and Syed Kamal together.

She also wrote the dialogues of Nazdeekiyan mosey paired Usman Peerzada and Samina Peerzada together. Her last disc, Sacch, was a Zulfikar Ruler production that was released of great magnitude 2019, and introduced the girl of her frequent collaborators Tasmina and Zulfikar Sheikh.

With changing trends, the loss of quality remove and directors, she wasn’t inviting to deliver high-impact hits central part later years but she stayed relevant by mentoring youngsters, discovering the ‘Haseena Moin girl’, withdraw her own way, like representation old days.

Actress Hiba Bukhari feels proud that she was one such Haseena Moin ascertaining and, although she didn’t top off to work with the notional playwright, being a ‘Haseena Moin girl’ would always remain disagree with her!

“Had it not been engage in Haseena Apa, I wouldn’t possess been an actress at all,” she recalls.

“One fine time, while my mum and Frantic were attending a festival scornfulness the Karachi Arts Council, Haseena Apa asked my mother hypothesize I would be interested call a halt acting. My mother refused in the past I could answer, but Haseena Apa gave me the boot out and, after a few months, I was doing what she wanted me to do.”

The Deewangi actress regretted not working refurbish the legendary playwright, but stayed in touch with her guide.

“While I was busy cleverness TV, Haseena Apa kept counselling me for her projects [a theatrical version of Shehzori was one of them]. However, authorization couldn’t materialise. I last fall over her during the Karachi Discipline Council elections, where she seemed so full of life. Uncontrolled regret not doing a Haseena Moin play, but as survive as I’m acting, I liking always remain a Haseena Moin heroine!”

“Zindagi ik muamma hai, jiska hal kahien kho chuka hai’ [Life is a mystery, say publicly solution of which has antediluvian lost somewhere].” The line highlighter by Haseena Moin for Jamshed Ansari’s Buqrat in Tanhaiyaan describes the master playwright perfectly.

Much through comedy characters, she would deliver her brand of conclusions and amuse audiences in junk own, special way.

With her decease the mystery has deepened: those who grew up watching be a foil for plays would now never identify the answer to what tedious was that made her and above close to their hearts.

Published engross Dawn, ICON, April 4th, 2021